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Logo for the virtual book talkThe Virtual Book Talk showcases authors of recently published scholarly monographs, digital-equivalents, and creative works broadly related to book history and print culture. Each installment includes an informal presentation from the author and a Q&A with the audience.

These talks are streamed live for registered participants and are recorded for posterity. All previous virtual book talks are available to view on the AAS YouTube channel. Talks typically last 45 minutes to one hour. For more information, contact Kevin Wisniewski, Director of Book History and Digital Initiatives at kwisniewski@mwa.org.

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Bitstreams: The Future of Digital Literary Heritage
with Matthew G. Kirschenbaum

Thursday, January 27, 2022, 2 pm EDT

Approx. 1 hour

Register

This program is free but requires advanced registration.

What are the future prospects for literary knowledge now that literary texts—and the material remains of authorship, publishing, and reading—are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun?

These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex.

A persistent theme is that bits—the ubiquitous ones and zeros of computing—are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

Matthew Kirschenbaum is Professor of English and Digital Studies at the University of Maryland, where he co-founded and co-directs BookLab, a makerspace for printing and the book arts. He is the author of Mechanisms: New Media and the Forensic Imagination (2008), Track Changes: A Literary History of Word Processing (2016), and, most recently, Bitstreams: The Future of Digital Literary Heritage (2021).

Order this book directly from the publisher at https://www.upenn.edu/pennpress. For a 20% discount, use code: FA21PP.

Headshot of Matthew Kirschenbaum

Bitstreams book cover


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