Set in Virginia and Philadelphia during the mid-19th century, Suck on the Marrow (2010, Red Hen Press) traces the experiences of self-emancipated bondswomen, kidnapped Northern-born blacks, free people of color, and the slaves of a large plantation and small household. The interconnected narratives of six fictionalized characters use traceable dates, facts, and locations to investigate moving aspects of American history. These poems explore the interdependence between plantation life and life in Northern and Southern American cities, and the connections between the successes and struggles of a wide range of Americans, free and slave, black and white, Northern and Southern.
Publication / Creation Year
2010
Artist Project Genre
Fellowship Award