Drawn to Art Fellows
The "Drawn to Art" Fellowship supports research on American art, visual culture, or other projects that will make substantial use of graphic materials as primary sources.
Fellowship | Affiliation | Position | Project | |||
---|---|---|---|---|---|---|
Barrett | Ross | 2005-6 | Drawn to Art | Boston University | Ph.D. Candidate | Rendering Violence: Riots, Strikes, and Class Conflict in 19th-Century American Art and Visual Culture |
Brown | Joshua | 2011-12 | Drawn to Art | The Graduate Center, City University of New York | executive director | Studies in the Visual Culture of the American Civil War |
Chuong | Jennifer | 2016-17 | Drawn to Art | Harvard University | Ph.D. candidate | Marbling and Projection in Early American Bindings |
Curd | Mary Bryan | 2010-11 | Drawn to Art | Harrison Middleton University | tutor | Facing Death: Portraiture and Mourning Ritual in America, 1775-1850 |
D'Amore | Maura | 2007-8 | Drawn to Art | University of North Carolina, Chapel Hill | Ph.D. candidate | "Suburban Men: Masculine Domesticity in Nineteenth-Century America" |
Eager | Elizabeth | 2015-16 | Drawn to Art | Harvard University | Ph.D. candidate | Drawing Machines: The Mechanics of Art in the Early Republic |
Field | Corinne | 2019-20 | Drawn-to-Art | University of Virginia | associate professor of women, gender, and sexuality | Grand Old Women and Modern Girls: Age, Race, and Power in the U.S. Women’s Rights Movement, 1870-1920 |
Gillespie | Sarah | 2006-7 | Drawn to Art | City University of New York | Ph.D. candidate | 'One Thing New Under the Sun': The Cross-Currents of Science and Art in the American Daguerreotype, 1839-1850 |
Harnish | Katherine | 2017-18 | Drawn to Art | Washington University in St. Louis | Ph.D. candidate | Painting Ephemera in the Age of Mass Production |
Headley | Janet | 2002-3 | Drawn to Art | Loyola College | associate professor | Structuring Urban Space: Public Monuments in Boston, 1825-1897 |
Hernandez | Melanie | 2012-13 | Drawn to Art | University of Washington, Seattle | Ph.D. candidate | Currier & Ives's 'Darktown' Series: Recovering White Capital through Violent Satire |
Iachini | Gian | 2009-10 | Drawn to Art | University of Milan | teaching assistant | 'Join, or Die': Pictures and Politics in the American Revolution |
Klein | Lauren | 2013-14 | Drawn to Art | GA Insitute of Technology | assistant professor | A Cultural History of Data Visualization, 1786-2013 |
Lawrence | Kathleen | 2004-5 | Drawn-to-Art | Boston University | lecturer | "Margaret Fuller's Aesthetic Transcendentalism" |
Lukasik | Christopher | 2003-4 | Drawn to Art | Boston University | assistant professor | Discerning Characters: Social Distinction and the Face in American Literary and Visual Culture, 1780-1850 |
Masten | April | 2001-2 | Drawn to Art | visiting assistant professor | The Work of Art | |
Miller | Katherine | 2014-15 | Drawn to Art | University of Virginia | Ph.D. candidate in art and architectural history | The Office of the Supervising Architect's Experiments with Architectural Representation: Prints & Photographs |
Pohrt | Tanya | 2018-19 | Drawn to Art | Lyman Allyn Art Museum | project curator | Mary Way and Elizabeth Way Champlain: Miniaturists of the Early Republic |
Roth | Sarah | 2000-01 | Drawn to Art | University of Virginia | Ph.D. candidate | The Slavery Controversy in Antebellum Popular Culture |
Sklarz | Cambra | 2022-23 | Drawn to Art | University of California, Riverside | PhD candidate in the history of art | The Artist and the Ecosystem: Strategies for the Use and Reuse of Materials in Early America |
Smith | Laura | 2008-9 | Drawn-to-Art | University of New Hampshire | lecturer | "Material Domesticity: Textiles in Elizabeth Stoddard's 'The Morgesons'." |
Walkiewicz | Alice | 2020-21 | Drawn to Art | The Graduate Center, CUNY | Ph.D. candidate in art history | Fabricating Clothing and Myth in the American Gilded Age |