NavigationDrawn to Art Fellows
The "Drawn to Art" Fellowship supports research on American art, visual culture, or other projects that will make substantial use of graphic materials as primary sources.
| Fellowship | Affiliation | Position | Project | |||
|---|---|---|---|---|---|---|
| Barrett | Ross | 2005-6 | Drawn to Art | Boston University | Ph.D. Candidate | Rendering Violence: Riots, Strikes, and Class Conflict in 19th-Century American Art and Visual Culture |
| Brown | Joshua | 2011-12 | Drawn to Art | The Graduate Center, City University of New York | executive director | Studies in the Visual Culture of the American Civil War |
| Chuong | Jennifer | 2016-17 | Drawn to Art | Harvard University | Ph.D. candidate | Marbling and Projection in Early American Bindings |
| Curd | Mary Bryan | 2010-11 | Drawn to Art | Harrison Middleton University | tutor | Facing Death: Portraiture and Mourning Ritual in America, 1775-1850 |
| D'Amore | Maura | 2007-8 | Drawn to Art | University of North Carolina, Chapel Hill | Ph.D. candidate | "Suburban Men: Masculine Domesticity in Nineteenth-Century America" |
| Eager | Elizabeth | 2015-16 | Drawn to Art | Harvard University | Ph.D. candidate | Drawing Machines: The Mechanics of Art in the Early Republic |
| Field | Corinne | 2019-20 | Drawn-to-Art | University of Virginia | associate professor of women, gender, and sexuality | Grand Old Women and Modern Girls: Age, Race, and Power in the U.S. Women’s Rights Movement, 1870-1920 |
| Gillespie | Sarah | 2006-7 | Drawn to Art | City University of New York | Ph.D. candidate | 'One Thing New Under the Sun': The Cross-Currents of Science and Art in the American Daguerreotype, 1839-1850 |
| Harnish | Katherine | 2017-18 | Drawn to Art | Washington University in St. Louis | Ph.D. candidate | Painting Ephemera in the Age of Mass Production |
| Headley | Janet | 2002-3 | Drawn to Art | Loyola College | associate professor | Structuring Urban Space: Public Monuments in Boston, 1825-1897 |
| Hernandez | Melanie | 2012-13 | Drawn to Art | University of Washington, Seattle | Ph.D. candidate | Currier & Ives's 'Darktown' Series: Recovering White Capital through Violent Satire |
| Iachini | Gian | 2009-10 | Drawn to Art | University of Milan | teaching assistant | 'Join, or Die': Pictures and Politics in the American Revolution |
| Klein | Lauren | 2013-14 | Drawn to Art | GA Insitute of Technology | assistant professor | A Cultural History of Data Visualization, 1786-2013 |
| Lawrence | Kathleen | 2004-5 | Drawn-to-Art | Boston University | lecturer | "Margaret Fuller's Aesthetic Transcendentalism" |
| Lukasik | Christopher | 2003-4 | Drawn to Art | Boston University | assistant professor | Discerning Characters: Social Distinction and the Face in American Literary and Visual Culture, 1780-1850 |
| Masten | April | 2001-2 | Drawn to Art | visiting assistant professor | The Work of Art | |
| Miller | Katherine | 2014-15 | Drawn to Art | University of Virginia | Ph.D. candidate in art and architectural history | The Office of the Supervising Architect's Experiments with Architectural Representation: Prints & Photographs |
| Pohrt | Tanya | 2018-19 | Drawn to Art | Lyman Allyn Art Museum | project curator | Mary Way and Elizabeth Way Champlain: Miniaturists of the Early Republic |
| Roth | Sarah | 2000-01 | Drawn to Art | University of Virginia | Ph.D. candidate | The Slavery Controversy in Antebellum Popular Culture |
| Smith | Laura | 2008-9 | Drawn-to-Art | University of New Hampshire | lecturer | "Material Domesticity: Textiles in Elizabeth Stoddard's 'The Morgesons'." |
| Walkiewicz | Alice | 2020-21 | Drawn to Art | The Graduate Center, CUNY | Ph.D. candidate in art history | Fabricating Clothing and Myth in the American Gilded Age |
