Fellows' Directory

Each fellow's institutional affiliation and position at the time of the fellowship is listed. Fellows may be sorted by last name, fellowship cycle, and fellowship.

Last name
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | Y | Z

Fellowship cycle
1972-73 | 1973-74 | 1974-75 | 1975-76 | 1976-77 | 1977-78 | 1978-79 | 1979-80 | 1980-81 | 1981-82 | 1982-83 | 1983-84 | 1984-85 | 1985-86 | 1986-87 | 1987-88 | 1988-89 | 1989-90 | 1990-91 | 1991-92 | 1992-93 | 1993-94 | 1994-95 | 1995-96 | 1996-97 | 1997-98 | 1998-99 | 1999-00 | 2000-1 | 2001-2 | 2002-3 | 2003-4 | 2004-5 | 2005-6 | 2006-7 | 2007-8 | 2008-9 | 2009-10 | 2010-11 | 2011-12 | 2012-13 | 2013-14 | 2014-15 | 2015-16 | 2016-17 | 2017-18

Fellowship
AAS-NEH | AHPCS | Alstott-Morgan | Artist | ASECS | Baron | Boni | Botein | Burkhardt | Daniels | Drawn to Art | d'Héricourt | Ebeling | Haven | Hearst | Hench | Hiatt | Jaffee | K-12 | Last | Last (Artist) | Lapides | Legacy | Mellon Distinguished Scholar | NEMLA | Packer | Peterson | Reese | Schiller |Tracy | U.S. Steel Foundation

Drawn to Art Fellows

The "Drawn to Art" Fellowship supports research on American art, visual culture, or other projects that will make substantial use of graphic materials as primary sources.

Fellowship Affiliation Position Project
Barrett Ross 2005-6 Drawn to Art Boston University PhD. Candidate Rendering Violence: Riots, Strikes, and Class Conflict in 19th-Century American Art and Visual Culture
Brown Joshua 2011-12 Drawn-to-Art The Graduate Center, City University of New York executive director Studies in the Visual Culture of the American Civil War
Chuong Jennifer 2016-17 Drawn-to-Art Harvard University Ph.D. candidate Marbling and Projection in Early American Bindings
Curd Bryan 2010-11 Drawn-to-Art Harrison Middleton University tutor Facing Death: Portraiture and Mourning Ritual in America, 1775-1850
D'Amore Maura 2007-8 Drawn to Art University of North Carolina, Chapel Hill PhD candidate "Suburban Men: Masculine Domesticity in Nineteenth-Century America"
Eager Elizabeth 2015-16 Drawn to Art Harvard University PhD candidate Drawing Machines: The Mechanics of Art in the Early Republic
Gillespie Sarah 2006-7 Drawn to Art City University of New York PhD candidate 'One Thing New Under the Sun': The Cross-Currents of Science and Art in the American Daguerreotype, 1839-1850
Harnish Katherine 2017-18 Drawn to Art Washington University in St. Louis Ph.D. candidate Painting Ephemera in the Age of Mass Production
Headley Janet 2002-3 Drawn to Art Loyola College associate professor Structuring Urban Space: Public Monuments in Boston, 1825-1897
Hernandez Melanie 2012-13 Drawn-to-Art University of Washington, Seattle PhD candidate Currier & Ives's 'Darktown' Series: Recovering White Capital through Violent Satire
Iachini Gian 2009-10 Drawn-to-Art University of Milan teaching assistant 'Join, or Die': Pictures and Politics in the American Revolution
Klein Lauren 2013-14 Drawn-to-Art GA Insitute of Technology assistant professor A Cultural History of Data Visualization, 1786-2013
Lawrence Kathleen 2004-5 Drawn-to-Art Boston University lecturer "Margaret Fuller's Aesthetic Transcendentalism"
Lukasik Christopher 2003-4 Drawn-to-Art Boston University assistant professor Discerning Characters: Social Distinction and the Face in American Literary and Visual Culture, 1780-1850
Masten April 2001-2 Drawn-to-Art visiting assistant professor The Work of Art
Miller Katherine 2014-15 Drawn to Art University of Virginia Ph.D. Candidate in Art and Architectural History The Office of the Supervising Architect's Experiments with Architectural Representation: Prints & Photographs
Roth Sarah 2000-01 Drawn-to-Art University of Virginia PhD candidate The Slavery Controversy in Antebellum Popular Culture
Smith Laura 2008-9 Drawn-to-Art University of New Hampshire lecturer "Material Domesticity: Textiles in Elizabeth Stoddard's 'The Morgesons'."

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