About the Collections
Children's Literature
Brief History of the McLoughlin Bros.
Prepared by Laura Wasowicz,
American
Antiquarian Society
McLoughlin Bros., Inc. was a New York publishing firm that pioneered
the systematic
use of color printing technologies in children's books, particularly
between
1858 and 1920. The firm's publications served to popularize illustrators
including
Thomas Nast, William Momberger, Justin H. Howard, Palmer Cox, and Ida
Waugh.
The artistic and commercial roots of the McLoughlin firm were first
developed
by John McLoughlin, Jr. (1827-1905), who as a teenager learned wood
engraving
and printing while working for Elton & Co.--a New York firm formed by
his father
John McLoughlin, Sr. and engraver/printer Robert H. Elton. Elton & Co.
(active
1840-1851) printed and issued toy books, comic almanacs, and valentines.
Between
1850 and 1851, John McLoughlin, Sr. and Robert H. Elton retired--giving
John
Jr. control of the business. (1) He started to
publish
picture books under his own name, and soon acquired the printing blocks
of Edward
Dunigan, a New York picture book publisher for whom Robert Elton had
executed
many wood engravings.
According to John McLoughlin, Jr.'s obituary in Publishers' Weekly (May
6,
1905), he made his younger brother Edmund McLoughlin (1833 or 4-1889) a
partner
in 1855. However, the firm was not listed in New York city directories
as McLoughlin
Bros. until 1858. During the early years of this partnership, the
product line
expanded to include non-book toys including games, blocks, and paper
dolls.
By 1863, the firm had expanded from its original headquarters at 24
Beekman
St. to include 30 Beekman St. John McLoughlin, Jr. continually
experimented
with color illustration--progressing from hand stenciling, to the
mechanical
relief process of zinc etching, to the planographic process of
chromolithography.
In light of the firm's commercial and creative development, McLoughlin
Bros.
moved to 52 Greene St. in May 1870, and subsequently moved the main New
York
office to 71 Duane St. in February 1871. (2) In
this
same year, the McLoughlin firm opened a color printing factory at South
11th
and Berry St. in Brooklyn. This factory employed as many as 75 artists,
and
is the probable site of the firm's experimentation with color
reproduction techniques.
By the 1880s, McLoughlin books were regularly featuring titles in folio
formats,
illustrated by chromolithographs. A number of titles were probably
"pirate"
editions of picture books issued in England by firms like George
Routledge &
Sons.
After Edmund McLoughlin's retirement in 1885, the firm's New York
office was
moved several times over the next twenty years to the following
addresses: 623
Broadway (1886-ca. 1892); 874 Broadway (1892-1898); 890 Broadway
(1899-ca.1920).
The firm received some new leadership when John McLoughlin, Jr.'s sons
James
G. and Charles joined the firm after Edmund's retirement. By 1886, the
firm
published a wide range of items including cheap chapbooks, large folio
picture
books, linen books, puzzles, games and paper dolls. (3)
After John McLoughlin, Jr.'s death in 1905, the McLoughlin firm
suffered from
the loss of his artistic and commercial leadership. In 1920, McLoughlin
Bros.,
Inc. was sold to Milton Bradley, the Brooklyn factory was closed, and
the company
was moved to Springfield, Mass. With this sale, McLoughlin Bros. ceased
game
production, although the publication of picture books continued.
McLoughlin
Bros. enjoyed some success in the 1930s with mechanical paper toys
called "Jolly
Jump-Ups," but the McLoughlin division of Milton Bradley stopped
production
during World War II.
Between 1950 and 1951--apparently amid the threat of liquidation, the
McLoughlin
Bros. executive officers divided among themselves the firm's archival
collection
of books, drawings, company correspondence, illustration blocks, paper
dolls,
free standing wooden dolls, puzzles, and games. In December 1951, the
McLoughlin
Bros. trademark was sold to New York toy manufacturer Julius Kushner.
Under
Kushner's leadership, some popular favorites like the Jolly Jump-Ups
were reissued.
However, the McLoughlin line of children's books was sold to Grosset &
Dunlap
in June 1954. Since that date, several books bearing the McLoughlin
Bros. imprint
were issued, but the name dropped out of print by the 1970s. Since 1970,
McLoughlin
products have enjoyed great popularity with collectors, and their
visibility
continues through displays at book fairs and in catalogues like New York
book
dealer Justin Schiller's Catalogue 35 (1978) devoted to McLoughlin wood
engraving
blocks.
Endnotes
(1) The New York city directory published in
1851 lists
John McLoughlin, Jr. on his own as a bookseller.
(2) "John McLoughlin [obituary]," Publishers'
Weekly,
67 (May 6, 1905):1286-1287.
(3) Catalogue of toy books. (New York: McLoughlin
Bros.,
1886).
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